Sunday, 18 July 2021

Boronia: borders, billabongs, abattoirs, and billy carts...

 Boronia: borders, billabongs, abattoirs, and billy carts...


I have always marvelled at the boundaries that make up the suburb of Boronia. The suburb where I grew up its boundaries was made up of four main roads, basically, a square, whereas Boronia tends to duck in out of streets, alongside creeks and in some cases in and out between people’s backyards. If you don’t believe me type Boronia into Google maps and check out the Devenish and Millers Roads boundary. It kind of explains Knox council’s urban and rural zones, but that is something for another time. Things that I assumed were in Boronia due to their proximity to the railway station has always thrown off my locality radar, for example, the Arboretum – which is in Ferntree Gully, the old Boronia Marine site which is in Bayswater and by comparison, our daughter who lived near Knox City at the south end of Lewis road which I thought was Knoxfield but is still Boronia. It looks like a very drunk man was given a pencil and was told to draw a picture of a cat on a large map.

Because of this, I keep getting confused and forget where Ferntree Gully starts and Boronia ends. (Bayswater too, for that matter) Not, just me either, as I found out and this led me down another local history rabbit hole.



I was looking at a new local history Facebook page a while back (the amazing Boronia, “The good old days” A fantastic source of old photos and memories) and I saw mention of a Boronia Abattoir. This was corrected by another post as I scrolled down the comments. It was actually the Ferntree Gully Abattoir and was situated smack on the border of both suburbs that is divided by Blind creek. Prior to the late 1960s early 1970s, there were no roads that crossed Blind creek between Dorset and Scoresby roads. The demarcation line was firmly set. These days Blind creek has a lovely walking and bike path and the roads once separated are all continuous. This means that you have a novel situation where things like houses with the progressive numbers 59  and 61 Rankin road are in different postcodes.

Now, Rankin road heading south is quite a steep hill and is known by the locals as Piggy Hill, why?

There seems to be a few theories.

In 2013 the Herald Sun in its Black & White section requests were made if anyone knew why it was so-called. I don’t know how serious it was but here’s a couple of the answers received.

One man says he lived at the bottom of Rankin Rd and recalls one early morning when a stolen car came speeding down the hill, failed to take the slight right-hand kink at the bottom and ploughed into the large tree. It then glanced off the tree and levelled the boot of his sister's car. Stating   "We didn't know it was called Piggy Hill. We just thought it was a pig of a hill.”

Another one is that in the early 1960s there were two piggeries in the area, and one farmer wished to buy the other out, but he would not sell. The first farmer moved all his pigsties along the neighbouring farmers' fence and said “I will smell him out” and it became known as Piggy Hill because of a farmers feud.

I doubt this one. I don’t think an owner of a piggery would be upset by the smell of more pigs. My wife, who has live in the area for over 35 years, told me she thought it was from all the squeals from the kids when they rode their billy carts and later skateboards down the steep incline. But I still think the fact the road terminated at a creek that looked straight onto a slaughterhouse sounds a good enough reason for such a name.

The Abattoir floor plan prior to demolition 

Long before the Rankin road literally crossed postcodes or the Blind Creek walking trail existed. Back before Boronia existed (in name only, that was done in 1915) a slaughterhouse existed on the south side of Blind creek. From earliest records approximately 1896 and an abattoir from the early 1900s. The originally allotted land was owned by a J. McMahon and his lot (54A) ran from Burwood highway all the way down to Blind Creek and who’s eastern boundary is where the road named after him-McMahons road- now runs.

The green wedge

Archived reports from the Box Hill Reporter in 1903 wherein an article reporting the sites upgrade to an abattoir by its owners the Pegler Brothers so upset and divided the then Ferntree Gully Shire that three councillors resigned. Including one A.E Chandler, the one who named Boronia. After a fragrant flower, could there be a link? (of course not, I’m being facetious)

The old Robinson clay site


This small animal slaughter yard operated in the south-west corner of the site from about 1896 to 1954. The site was then purchased by the Castricum family in 1954 and a slaughterhouse, a sheepskin drying shed and a pigsty were developed on the southern third of the site - For reference picture, the end opposite Norvel Reserve- The remainder of the site was used to hold sheep and for wastewater disposal. Then in 1978, the Castricum family under the business Castricum Bros. Pty Ltd built the Ferntree Gully Abattoirs (I  have also seen it referred to as the Rankin road meatworks) to complement their works in Dandenong and comprised (on the southern third of the site) an office building, abattoirs (slaughtering building); concrete paved holding yards, holding pens, water storage tanks, wastewater treatment facility (including chemical storage tanks) and an underground petrol tank. Other infrastructure included stormwater drains, sewer pipes, electrical power lines.

Old-time residents recall awful smells in the summer and others have said being allowed onto the killing floor to watch the animals being put down, yes, they were different times, obviously long before WorkSafe.

The Castricum family business continued to expand, and the business ventured into export, eventually building new export processing facilities at Dandenong in 1987 making the Ferntree Gully site redundant and were eventually sold by the start of the 1990s.

The abattoirs were demolished in late 1993 to early 1994 in preparation for the residential subdivision. At roughly the same time the Castricums’ were establishing their site in the mid-1950s, Robertson Industries had started operation of the clay pit quarry next door. Robertson’s, for anyone who travelled to the city by train, would know them by their tall brick and paver kiln chimney next to Nunawading station. The station and the factory are gone now but the chimney still stands.

Whilst all traces of the abattoir are long gone and a well-kept housing estate occupies its place, the clay pit property still remains, though empty cleared and surrounded by a rusty cyclone fence at the approximate seven-hectare site. Running down the middle of both areas is a five-metre green belt that runs down to the creek and a pleasant shortcut on a sunny day from Norvel road. At the back of the clay pit site is an area being developed by the Knox council as a nature preserve and is where the Blind creek billabong is situated. The front section of the site was sold by Robertson Industries in 2016 for 30 million dollars and is yet to be developed.

Sadly, I couldn’t find any pictures of the abattoir from any era or even the clay pit when it was in operation When the Knox Historical Society and local library opens again I can have a good dig through their archives. Hopefully, this article will shake a few memories loose and they might end up on social media. Local history, it wonderful and you never know what you’ll find in your backyard, even if you’re not sure where you are.

Originally published in BBCN Dec 2020 Edition


Thursday, 15 July 2021

JET SCREAMER

 JET SCREAMER


Jet Screamer
 is a character in The Jetsons.

Jet is a teenage musician considered a teen idol. He is the star of The Jet Screamer Show.

Another insert from a Hanna Barbara Show where the writers were oblivious to the teens of the times.

Thursday, 1 July 2021

Sex bob-omb

 Sex Bob-omb


Sex Bob-omb
 is the band from the popular comic series Scott Pilgrims. It is an indie rock band, comprising of Stephen Stills (vocals and guitar), Scott Pilgrim (bass), Kim Pine (drums) and Young Neil (biggest fan and understudy bass). The name is a double reference to Bob-omb, an enemy from the Super Mario series and either the Flipper song "Sex Bomb" or the Tom Jones song "Sex Bomb." Also a reference to real-life band Sex Pistols.


They are an average band, neither wildly popular nor terrible, though the tedium of later recording their album results in the band hardly ever playing gigs or practising and getting rusty.




When the movie was released based on the comic . Singer/songwriter Beck was brought in to write songs appropriate to the band.





Scott Pilgrim VS the World - VS The Katayanagi Twins. 

FROM THE MOVIE SCOTT PILGRIM VS THE WORLD.

Monday, 14 June 2021

More interesting stuff from around the place where I live.

 More interesting stuff from around the place where I live.

The Chandelier tree.

For more of these articles see LOCAL HISTORY in the ARCHIVES tab.


Originally published in the BBCN August 2013


Tuesday, 1 June 2021

Joe Bussard King of record collectors.

 Joe Bussard King of record collectors.

A lot of people are proud of their record collections, some put unrealistic and overstated importance on their vinyl and its worth.
Joe Bussard is a living legend who has a  priceless collection of early American blues, country and folk recordings that is s important as much as it's historical.

What he will do with it after he passes is anyone's guess. 'Cause he ain't telling.


Friday, 21 May 2021

HARRY GOLD'S - Homer’s Career Before The Simpsons | Documentary

 HARRY GOLD'S - Homer’s Career Before The Simpsons | Documentary


Australian artist/satirist Harry Gold is an underrated Youtuber who has work that has appeared in MAD magazine and is a 2D animator for Alt.vfx .  I'm posting this because I think it is brilliant and deserves a bigger audience. 

Not that he'll find it here.



Saturday, 1 May 2021

Local Comic Creator Day April 2021

 

Local Comic Creator Day April 2021


You know when things are getting back to pre-COVID normal when people can come together to celebrate their hobbies and interests that are not related to a church or a sporting event.

Before the pandemic, Melbourne was awash with exhibitions, conventions and “swap meets”. There wasn’t a weekend that went by that didn’t have some event scheduled. Antiques, quilting, cars, toys, records, cards, many bundled together as collectables fairs. Some of the biggest of these events (along with the quilting and home shows) were the pop culture conventions. Events like Supanova, Pax and Oz ComiCon are annual shows that ran the whole weekend including Friday and attracted 20000 people a day. Ironically, the venues where these shows are usually held -The Exhibition building and Centre-are now the venues for the mass COVID vaccinations.

As well as these 3 massive pop culture conventions were several smaller lowkey versions, but as the big ones became larger and more expensive to be part of, or enter, the smaller ones became dominated by Identity Politics and became somewhat exclusive.

So, after everything shut down Alternate Worlds co-owner Joe Italiano entertained the idea of running his own comic convention when things began to return to some

Joe (Left) & Peter Hughes- owners of AW

semblance of normal. Joe had had experiences with such a task as he and a group of friends were responsible for one of the first comic conventions in Australia in the late 1970s. His idea was simple, a small comic creator convention where local artist and publishers could present to the public, similar to his original concept. The larger conventions like those mentioned earlier had become bloated circus’ full of merchandise, cosplay (where fans dress as their favourite characters) and last chance arenas for near-forgotten actors from once popular shows that were cancelled decades ago. It had got to the point where comic creators were allocated an area in the corner, sometimes in a separate building from the main event. Joe wanted to get back to basics. COVID set the scene for this to happen.

 On April 17, Melbourne had its first comic convention in nearly 18 months at Alternate Worlds in Bayswater. Under the more accurate title Local Comic Creator Day.

So, like the fanboy I am, I strolled down the road to pay it a visit.

Gerald Carr
It goes a lot towards a show’s credibility when the calibre of the talent attending is bordering on legendary.  Foremost was veteran cartoonist Gerald Carr, winner of The Jim Russell Award, given by the Australian Cartoonists' Association for significant contribution to Australian Cartooning and the 2019  Ledger of Honour recipient. (the Ledgers being the OZ Comic Industry’s equivalent of the Oscars). With him, he had samples of his work that spanned nearly 60 years.

 

Gary Dellar of Reverie
Coming all the way from Sunbury was Gary Dellar publisher of Reverie comics whose first publications came out in the early 1980s, Gary had recently revived the publishing house after a long hiatus and is now producing a high volume of titles that include some of Australia’s greatest and newest talent. Some which he shared the table with artist and writers like Rob Lisle, Peter Lawson, Haydn Spurrel and George Hall. Also among the older crew were bona fide underground comic royalty Steve Carter and Antoinette Ryder, collectively known as SCAR who appeared in just about every major publication in Australia, as well as several international titles and have the dubious honour of being banned by the Bjelke -Petersen Government in the 1980s. Amongst this lot was Darren Close, whose creation Killer Roo is one of the more popular and best-selling titles in Australian comics for the last 10 years. These and many other up and coming creators were more than generous with their time.

As the show was being held in the warehouse adjacent to the Alternative Worlds shop, space was at a premium, but it added to the cosy atmosphere and the shop still managed to set up a display of classic Australian comics and magazines, some worth several hundred dollars and important parts of this country’s publishing history. I will admit it was a nice change not being surrounded by 50 stalls selling Pop Vinyl figures and dodging people dressed up as the Hulk, Thor and Spiderman or 25 different girls dressed as Sailor Moon in every aisle.

It was pleasant to go back to the roots of the comic convention scene, to meet the creators and check out their work. Because I know in a year or two it will be back to full bore circus mode.