Friday, 1 March 2019

Len Lawson The Real Life Comic Book Bad Guy Part Three

Len Lawson The Real Life Comic Book Bad Guy Part Three

This article is a compilation of several articles previously written on Leonard Lawson all focusing on different aspects of his life, whether it be his time as a popular comic book artist, the censorship in the comic book industry of the era  or the resulting criminal cases arising from Lawson terrible deeds. I have arranged and edited them to give a more encompassing story of the man who could’ve been Australia’s greatest comic artist to a man who died in prison of old age.
The articles are listed here for reference.





WHAT HAPPENED NEXT ? Part 2
Lawson’s tale does not end  well
On 24th of May 1961 Lawson was again a free man. He rented an apartment in Collaroy on the northern beaches and bought a car with money his mother gave him. Lawson had numerous sexual liaisons with women he met casually and prostitutes he picked up on the street. But they couldn’t satisfy his dark appetites, with the violent fantasies that had secretly sustained him in prison now increasingly occupying his mind.
Lawson had become a master manipulator, and as proved later, his mind had finally cracked.
Lawson roamed south, to Moss Vale, where on 20th June he went to the Church of England Grammar school and introduced himself to the headmistress, Miss Jean Turnbull. He was, he said, an author writing a St. Trinian’s-style novel and would love the opportunity to observe the girls. She invited him to lunch in the dining room and gave him a tour of the school. Lawson visited the school again once or twice, attending chapel and again lunching with the students.

JANE BOWER
Jane Bower
Back in Manly, in late September 1961 Lawson met and befriended a 16-year-old girl named Jane Bower. He charmed the teenager and her family, telling them he wanted to paint Jane’s portrait. She posed for him several times.
At 5pm of Monday November 6, Lawson picked her up at the city art shop where she worked. They then collected her mother and Lawson drove them all back to the Bower house in Manly, where they shared an early dinner.
Trusted by the family, Lawson was allowed to take Jane to his apartment so he could again sketch her. There he made advances on her: but she rebuffed him.
But Lawson was prepared. Before bringing Jane back to his apartment he’d filled a sock with sand and readied pre-cut lengths of rope.
With Jane sitting on the lounge, Lawson went to the bedroom, got the sock and swung it hard into her head, knocking her out.
Lawson tied her wrists, took off her clothes and raped her. Seeing Jane was coming around, Lawson started to strangle her. When she struggled, he grabbed a hunting knife and plunged it into her chest. Using an eyebrow pencil, he wrote on her torso: “God forgive me, Len.”
TheAge 8-11-1961
Jane’s parents were anxious when she didn’t return home. They enlisted her cousin to help in the search and visited Lawson’s flat but no-one answered. After a night of searching, they came back about 7:50am the following morning. There, Jane’s cousin broke in and found her body.
About 9am at Sydney police headquarters, plans were being drawn up for a statewide search. But that wouldn’t be necessary. Within minutes, the fugitive’s whereabouts were known.
The previous night, Lawson had fled the Collaroy flat murder scene in his car. He’d driven south to Moss Vale, arriving around 2:30am, and parked on the side of the road and sat. He wrote a letter to his parents.
“Dear Mum and Dad,” it read. “I have done a shocking and dreadful thing. Whatever this monster that moves into my body is, it did it with a vengeance this time.”
He said he was sorry and that he was going to kill himself. But that wasn’t what he was going to do.


SCHOOL SHOOTING
The Age 8-11-1961
At 8:30am, he drove to the Church of England Grammar School that he’d scoped out months earlier. He had a .22 Remington rifle, 167 rounds of ammunition, the knife he’d used to kill Jane and pre-cut lengths of rope.
Just after 9am, 150 students, were in the school chapel, under the supervision of headmistress Jean Turnbull. Through the windows, some of the girls saw a man approaching across the lawn. Suddenly Leonard Lawson — the author they’d met months earlier — was in the doorway of the chapel brandishing a gun.
He told everyone to be quiet and to not move. “If anyone tries anything silly, one of the girls will be shot,” he said.
“What do you want?” asked Miss Turnbull.
“I’m going to hold the girls as hostages here until 12’o clock,” he said. “I have killed someone already and I want to speak to three people.”
Lawson allowed Miss Turnbull to return to the front of the chapel
SydnyMorningHerald
5 April 1961
and continue the service. To distract themselves from their terror, the girls sang hymns loudly.
Meanwhile, Lawson gave a piece of paper to another staff member, Miss Brooks, who left the chapel with it.
“To whom it may concern,” it said. “Read this carefully before any attempt is made to contact the police — lives depend on it. By now the police will be hunting me for murder so I am going to hold the girls as hostages for a few hours.”
He told police to obey his instructions and that if anyone came within 100 feet of the chapel, he’d shoot a girl.
“I am not bluffing — I have killed once, so now I have everything to gain and nothing to lose by killing more — it’s the same penalty I must face.”
Bizarrely, the three people he wanted to speak to were a nun who’d visited him in prison, reigning Miss Australia Tania Verstak, and Olympic athlete Marlene Mathews.

Meanwhile, Miss Turnbull surreptitiously wrote her own note and threw it out the window. “A man is holding us up in here with a shotgun,” she wrote. “Get lots of police — he is threatening to shoot the girls.”
Lawson was edgy, with the teachers and girls sure he was about to start shooting.
“If you are going to shoot, why not shoot me or one of the staff?” the headmistress asked. She was backed up by the old French teacher, Madame Sherman. “We have lived most of our lives,” she said. “They have most of their lives still to live.”
Police arrived and approached the chapel. Lawson saw them through the window.
“Here come the police,” he said, near the door. “Now I am going to shoot.”
Miss Turnbull jumped into action, grabbing the gun, trying to keep it aimed away from the students, some of who also rushed Lawson.
Lawson started firing.
Five shots rang out.
Miss Turnbull and Lawson fought for control of the rifle, while students grabbed at him. Seeing this through the chapel door’s glass panel, a police detective and constable tried to get inside. But Lawson had secured the door with a cord.
The police constable smashed the glass panel and Miss Turnbull managed to thrust the rifle barrel through the frame. The constable grabbed it and pulled the gun free. Now he and a detective burst in and subdued the still struggling Lawson.
Miss Turnbull had painful powder burns on both hands and a hole in her dress where a bullet had passed through the fabric. Fifteen-year-old Wendy Luscombe — a popular red-headed student — lay on the floor, hit in the chest by a bullet. She died in the arms of a friend, the bullet having passed through her heart.

BACK BEHIND BARS
Lawson on the way to Court 1962
Lawson was taken to the Moss Vale police station. Interrogated by police, he said he’d never meant to harm anyone — despite overwhelming evidence to the contrary — and claimed to have been overtaken by temporary insanity.
When Leonard Lawson faced court in December 1961, charged with the murder of Jane Bower, he pleaded not guilty. Should the case against him fail, he’d then be tried for the death of Wendy Luscombe.
There was a delay while he was psychiatrically assessed. When the case resumed at Sydney’s Central Criminal Court in late February 1962, the only defence witness was a psychiatrist — and he testified that Lawson was sane when he killed the girl.
Lawson spoke to the court: “I can’t explain what made me do this terrible thing, because I don’t know.” He professed he was sorry.
SydneyMorningHerald 5-April 1962
On April 4, 1962, it took the jury 17 minutes to find him guilty of Jane Bower’s murder. With a life sentence a certainty, Leonard Lawson wasn’t tried for the death of Wendy Luscombe.
In 1962 Miss Turnbull awarded an MBE for her bravery. The police who’d wrestled him also received commendations.
Back behind bars, Leonard Lawson again became a model prisoner.

But he had one more outrage to perpetrate, one more life to destroy.



Len Lawson The Real Life Comic Book Bad Guy Part Four

Len Lawson The Real Life Comic Book Bad Guy Part Four

This article is a compilation of several articles previously written on Leonard Lawson all focusing on different aspects of his life, whether it be his time as a popular comic book artist, the censorship in the comic book industry of the era  or the resulting criminal cases arising from Lawson terrible deeds. I have arranged and edited them to give a more encompassing story of the man who could’ve been Australia’s greatest comic artist to a man who died in prison of old age.
The articles are listed here for reference.





HIS FINAL VICTIM
Lenard Lawson 1973
Lawson, seemed to pace himself with his deception and actions always making things worse for himself out of hopeless and pointless situations.
On Sunday June 18th 1972 a concert was held in the chapel at Parramatta Gaol to entertain the prisoners. Afterward, the entertainers, including three dancers, were invited to have some light refreshments, put on by the arts and crafts committee, of which Lawson was secretary.
Prisoners and performers mingled in a rec room under the gaze of Lawson’s undeniably accomplished portrait paintings. Sharon Hamilton, a 23-year-old dancer, was admiring his portrait of President John F. Kennedy when Lawson tapped her on the shoulder and asked her to sign the visitors' book.
She did and complimented him on his art, saying it was beautiful.
Soon after it was announced the visit was over. Standing beside Sharon Hamilton, Lawson was called on to give a speech of thanks. In an instant, he grabbed her and put a knife to her throat and another to her back.
“Everybody leave the room but her,” he said. “Don’t anyone move or I’ll let her have it,” he said.
But this time Lawson wasn’t dealing with frightened schoolgirls or models he’d lured into the bush. He was in a room with criminals, none of whom wanted to see a young woman hurt.
Two prisoners lunged at Lawson. One punched him in the face. Lawson staggered back. A prison guard stepped in to grapple with him while the other prisoner pulled Sharon Hamilton free.
Lawson dropped one knife and another was ripped from him by a second guard who helped to contain him.
The Age 19 June 1972
Sharon Hamilton was left bleeding. She had small cuts on her neck, hand and on her back. But her main wounds would be emotional and psychological.
Lawson faced court in August 1972 and was sentenced to another five years.
Sharon Hamilton served a sentence in her own psychological prison. She found it hard to work, to go out, to socialise: everywhere she looked she saw Lawson.
What she appeared to be suffering from was post-traumatic stress disorder, which was still a few years from being defined and recognised. From 1974 to 1976 Sharon was treated for her psychological problems in a private hospital. Unfortunately, that hospital was Chelmsford, where destructive deep-sleep and electroshock therapy was practised, leading to the deaths of 43 patients and an eventual Royal Commission.
In 1976, Sharon won a payout from the state government of nearly $100,000, admitting their negligence had led to Lawson’s attack on her. But life didn’t get any easier for Sharon. She had a tumultuous relationship with a doctor and suffered from depression. In 1978 she took her own life.
A Link to a channel 7 report of the incident













AUSTRALIA’S LONGEST-SERVING PRISONER
Behind bars, Leonard Lawson continued to paint, donating his art works to charities and raising tens of thousands of dollars. In 1994 the possibility of parole was raised for Lawson. But Wendy Luscombe’s brother — along with several of the women who’d survived the school siege — protested loudly. The government listened, sanity prevailed and Lawson remained in Grafton jail.
In 1999, Lawson, now Australia’s longest-serving prisoner, was interviewed for 60 Minutes. He presented as a kindly old codger who just wanted the chance to feel the grass under his feet one more again before he died.
No-one was prepared to be fooled again.

He died on November 29, 2003, aged 76, and was missed by no-one.



The 1999 60 minutes edition with an interview with Len Lawson .



ADDITIONAL BITS
Lawson’s crimes are revisited in Portrait Of The Artist As A Murderer, a new play by Robert Armstrong for the true crime production, Deadhouse: Tales Of Sydney Morgue, played at The Rocks Discovery Museum  April /May 2018 Lawson later also appeared before the Coroners Court, charged with two murders in late 1961. Producer and historian Stephen Carnell used cases associated with the old Sydney Morgue and Coroners Court, housed at George St in The Rocks from 1854 until 1971 in the Deadhouse series.

Wednesday, 13 February 2019

The 12 inch Vinyl Revival and introducing CAPTAIN STOMP RECORDS.

The 12-inch Vinyl Revival and introducing CAPTAIN STOMP RECORDS.


We all have fond memories of vinyl records, most of us over 50 grew up with them playing a major part in our young adult lives. Then, with the advent of the Compact Disc, vinyl died a quick death with little or no fanfare. The presses shut down and suddenly there was more room in the record shops. Maybe it was the convenience, the mobility or the fact that some vinyl records near the end were pressed so low grade that they scratched on the first play. Either way, it can’t be denied it was a technological advancement in both application and hardware that killed off vinyl records late in the early 1990s.
Move on a few more years and the CD was under threat from the MP3 player, a more compressed file that meant new devices like iPods could hold thousands of hours of music on something you could hide in your pocket. The whole face of music changed. People stopped buying CD’s and started downloading music. Radio stations had less and less influence on what people listened to and the once popular record shops started disappearing from the local shopping centres and strip shops.

But never underestimate nostalgia.


A few years back vinyl started to make a comeback. There were the justified reasons that compressed files didn’t give a true fidelity, which was true in the case of MP3’s. Articles started to appear about how vinyl had a warmer, fuller sound and that was how music was meant to be listened to. Soon vinyl was back to matching CD’s in sales, with downloads still miles in front.
Myself, I still think CD's give great sound if they are WAV. or FLAC. files (sorry for the audiophile gibberish) but my biggest bugbear was that I couldn’t hold those twelve-inch covers with all that marvelous artwork and readable text. (But I’m old, young people see better than me).
These days many artists, especially independent ones are releasing vinyl again as part of their recorded product ranges, with many older bands rereleasing their back catalogues. Even the young music fans are buying vinyl again, thanks to initiatives like Record Store Day and because vinyl hasn’t stayed the same, it learned from its mistakes. Where old pressings prior to the 1990s where thin and cheap, today’s are a whopping 180 gram * (think the same as your grandma’s old 78 records) and the printing quality has improved substantially. 
 Vinyl records are trendy again.
So when I discovered the opening of an independent record shop specializing in new vinyl in Knox, I was straight down there to check it out.
David Thompson Owner of Captain Stomp
Captain Stomp Records is the longtime dream and passion of owner David Thompson. Having worked in Financial Services for over 30 years David laid down the plans for his own record shop in 2015, but it took until  2018 to open a physical shop exactly where and how he wanted. In the process starting up a web-based store as he searched for the right location and researched suppliers and getting the shop design perfect.
Opening in July 2018 Captain Stomp Records is located at 46 Forest Road Ferntree Gully just down from the cemetery. Unlike record shops of old that were cave-like, dark cramp places with walls covered in posters of latest releases and pop stars. Captain Stomp is a bright airy store with rows of neatly placed bins full of new vinyl records covering all genres and artists. The white walls are covered in music related paintings and prints as well as a fireplace and comfy chairs.
The rather forceful name Captain Stomp belies the peaceful atmosphere the shop conveys and is the result of David not being able to secure his first preference Captain Fantastic an album by one of his favourite artists Elton John.

David’s passion for music has been carried on from his childhood where his local record store Stylus in Heathmont fed a desire that led to opening his own shop in retirement. He believes that in time, the shop can even become a hub for all music aficionados to meet and find enjoyment in a common love. I honestly believe this having gone back several times and seeing David give a lot of his time talking with customers about all genres of music with enthusiasm and patience.
The store, besides carrying a massive range for all musical tastes also has available mid price record players, protective sleeves and frames to surround your favourite album cover art.
It's great to see stores like Captain Stomp appear locally and offer an alternative to JB HiFi, I like to compare Captain Stomp Records to a good bookstore, where you can browse the aisles and wonder if I can judge this book (album) by its cover?
A great place to rediscover some old memories or start some brand new ones.

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*180 gram vinyl records are stronger and more durable, so they tend to last longer and resist breakage. ... Heavier vinyl provides a more stable platform for both stylus and cantilever suspension providing extra protection from unwanted vibration that can cause sound degradation at the micro-level.
Related article:
1 -Fist2Face Record Store Day Memories.
2 -RECORD COVERS AND FAILING EYESIGHT
3 -VINYL

This article originally published in the BBCN Issue 171 Feb 2019

Thursday, 7 February 2019

BLACK SATURDAY FIRES VICTORIA 10 YEAR ANNIVERSARY

BLACK SATURDAY FIRES VICTORIA 10 YEAR ANNIVERSARY.
An article I wrote after the fires devasted the state in which I lived during February 2009.



Originally published in the BBCN May 2009

Wednesday, 16 January 2019

Carlos Angeli Art to Sculpture and back again

Carlos Angeli Art to Sculpture and back again

Argentinian artist Carlos Angeli is drawing and designing a steampunk themed comic script I wrote from a short story (which can be seen here) Carlos is full of surprises and when he sent me these sculptures as a reference to his character design I was blown away.
The comic itself is a work in progress and hopefully will see the light of day in the not so distant future.














Friday, 21 December 2018

Record Store Day- In memory of Fist2Face

Record Store Day- In memory of Fist2Face

 In issue 192 (August 2011) of the BBCN I wrote an article about vinyl records and said: though they are considered old technology, there is still a place in the hearts of those who deem them priceless gems and digital music the work of something sinister. I made it clear that everything has its place and whilst vinyl is a tangible medium with lots of positives, I’ll never get a record player in my car or have 1000 albums at my choosing to listen to when taking a walk around the park.
Having said that...
Every year on the third Saturday of April vinyl lovers around the world rejoice, because since 2008 that day has become Record Store Day, an international celebration of small independent record stores and labels (sometimes they are the same thing) to promote the fact that there still are stores that sell music, and not just as a sideline in a big chain store.
With the development and mass acceptance of digital music and downloads there needed to be a way to announce that there was a more tangible alternative. I believe tangible is the key word here, many of us oldies must remember listening to a record, cassette or CD and holding the cover studying the artwork and trying to memorize the lyrics. I still remember the joy of going to places like Brashes and just slowing flipping through the countless rows of twelve inch records hoping to find something new to show off to your friends. Fair enough you can still do this in JB HiFi these days but they pack them in so tight you have to pull each CD out individually to see them. Not that I’m “dissing JB, I love the place, where else would I be able to buy all my “Old Fart” music cheaply. Record Day has proven to be quite successful and has been embraced by labels and artists alike and there are usually a large selection of current and re-releases in vinyl by new and old bands alike to help promote and celebrate. So on the 20th April this year my son and I made our way to the local “Indy store” to celebrate Record Store Day.
Situated opposite the old Fire Station on Maroondah Hwy in Ringwood is a rather unimposing shop front with the more imposing name of Fist2Face. Drive past and blink and you’ve missed it. But good things come in subtle packaging. Step inside the door and what you have is a cramped area no more than six metres by three metres covered like all good record stores should with posters and T Shirts and racks of music. Because it was Record Store Day, a new bin was constructed with freshly wrapped vinyl offerings. Put 10 people in this store and it gets hard to move around but that adds to the appeal. Where else can a 50 year old man strike up a conversation with a twenty something about the history of punk bands in Melbourne? The intimacy brings likeminded people together. And that is the beauty of Fist2Face, it caters for music lovers on all levels. Through the door of the little shop is a larger storage area where all kinds of CDs, vinyl, T-Shirts, posters basically anything to do with bands are sold over the internet. This is how smaller record stores battle digital downloads, they sell merchandise that gives the music its identity. By using this technology it also is an outlet for ticket sales to concerts for touring international and local bands alike. It gets more interesting because next to the shop front is a high gate covered with tin because the store is next door to an Auto accessory, one could be easily mistaken to think it is connected to that shop, but no. This opens up to a large forecourt with a small stage. So on special occasions like Record Store Day bands perform to help promote themselves and the occasion. On this day nine bands were scheduled to play. Beyond that is another gate that links back to storeroom and another room this one semi-soundproofed for local bands to practice in, which is how I came to know of Fist2Face in the first place through my son’s band. Gez, the owner is a devoted music lover and a musician himself and shares his love of music and in the past has hired young people connected with the VET audio/visual course.
Fist2Face is everything I wanted in a record store when I was growing up, now with record shops becoming rarer as years stream roll on it’s great to find something that sparks the love of music in me. I look forward to next year to see what new and exciting things I can rediscover.

Originally printed in the BBCN Issue 212 June 2013

Saturday, 1 December 2018

THE MUSTARD (UK) ALAN MOORE INTERVIEW

THE MUSTARD (UK) ALAN MOORE INTERVIEW

A great read.
The Mustard humour magazine did this a few years ago and Alan Moore goes into great detail about writing, drugs and movies made of his comics.
A good read for a lazy day for the tablet or PC.
ENJOY
 Alan Moore Mustard Interview