Sunday, 9 October 2011

Couple of quick album reviews

Pajama Club - Self Titled Debut

The Pajama Club
Neil Finn gets better with change

It seems the only constant in Neil Finns life is his marriage.
After so much fame, fortune and musical metamorphoses, whether it be Split Enz, Crowded House, The Finn Brothers or the many musical collaborations on stage he has had with the members of bands as diverse as the likes of Pearl Jam, Radiohead and The Smiths Neil Finn still manages to shine as a pure 100% nice guy and super talent.
This nucleus of the Pajama Club was created at home in New Zealand when Neil and Sharon Finn were basically mucking around in the home studio to have a bit of fun as married couples do when the kids have left the nest.
From these bass and drum tracks (Neil on drums. Sharon on bass) Neil constructed the songs that appear on the album.
The fact that neither Finn were playing their preferred instrument makes the construction of the songs even more magical as they don’t have the technical discipline one picks up with an instrument played with proficiency. Thus there are little quirks popping up all over the place. That and the fact Neil Finn is one of the leading songwriters on the planet adds to the mix.
Sharon is no slouch in the singing department is just a wonderful vocal match to Neil as his brother Tim.
The songs kick off with the almost tribal beat of Tell Me What you Want, and listening to the lyrics reveals a sexy under belly . The Pajama Club actually shine brightest when Sharon and Neil share vocals, Songs such as Tell Me Golden Child and Go Kart are some of the best songs I’ve heard this year,
Others like Diamonds in her Eyes and TNT for Two reinforces the strength of this album.
In a nut shell this album is simply better than the last two Crowded House albums and the Finn Brothers release.

Neighborhoods BLINK182

Blink182’s first album in 8 years thanks mainly to a “hiatus” instigated by Tom DeLonge to start Angels and Airwaves. Neighborhoods carries on from where Blink’s last album finished and incorporates what the members learnt along the way with their solo releases- A&A, +44 and Travis’ solo album “Give The Drummer Some”

The album is exactly what American popular music needs right now and has been justified with a debut at number 2 on the Billboard Top 200 album charts.
And rightly so, this album is chock full of melody, killer riffs and powerpop to dance to.
The opening track GHOST ON THE DANCE FLOOR with its future single hook line crashes out of the speakers and never lets up for the rest of the album.
Those who are quick can get the limited release with 3 extra tracks, one and interlude to HEARTS ALL GONE and the other two FIGHTING FOR GRAVITY and EVEN IF SHE FALLS leaves you wondering why they were excluded from the intial release.
Other strong stracks are the first single UP ALL NIGHT, WISHING WELL andKALEIDOSCOPE.
Some say their best album so far, every listen makes me think so too, but I still have a soft spot for the last release when the band really grew up.

No comments: